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Perception
In psychology and the cognitive sciences, perception is the process of
acquiring, interpreting, selecting, and organizing sensory information.
Methods of studying perception range from essentially biological or physiological
approaches, through psychological approaches to the often abstract 'thought-experiments'
of mental philosophy.
The senses
Human perception depends on the senses. The classical five senses are
sight, hearing, smell, taste and touch. Along with these there are at
least four other senses: proprioception (body awareness), equilibrioception
(balance), thermoception (heat) and nociception (pain). Beyond these,
some believe in the existence of other senses such as precognition (or
foretelling) or telepathy (direct communication between human minds/brains
without transmittance through any other medium). While these are controversial,
it is known that animals of other species possess senses that are not
found in humans: for example, some fish can detect electric fields, while
pigeons have been shown to detect magnetic fields and to use them in homing.
History of the study of perception
The subjective nature of perception, and hence of cognition, has attracted
the attention of philosophers since antiquity, for example in the qualia
which have been known since the Sufi thinkers, or in the extreme idealism
of George Berkeley.
Perception is one of the oldest fields within scientific psychology,
and there are correspondingly many theories about its underlying processes.
The oldest quantitative law in psychology is the Weber-Fechner Law, which
quantifies the relationship between the intensity of physical stimuli
and their perceptual effects. It was the study of perception that gave
rise to the Gestalt school of psychology, with its emphasis on holistic
approaches.
Perception and reality
Many cognitive psychologists hold that, as we move about in the world,
we create a model of how the world works. That is, we sense the objective
world, but our sensations map to percepts, and these percepts are provisional,
in the same sense that scientific hypotheses are provisional (cf. in the
scientific method). As we acquire new information, our percepts shift.
Abraham Pais' biography refers to the 'esemplastic' nature of imagination.
In the case of visual perception, some people can actually see the percept
shift in their mind's eye. Others who are not picture thinkers, may not
necessarily perceive the 'shape-shifting' as their world changes. The
'esemplastic' nature has been shown by experiment: an ambiguous image
has multiple interpretations on the perceptual level. Just as one object
can give rise to multiple percepts, so an object may fail to give rise
to any percept at all: if the percept has no grounding in a person's experience,
the person may literally not perceive it.
This confusing ambiguity of perception is exploited in human technologies
such as camouflage, and also in biological mimicry, for example by Peacock
butterflies, whose wings bear eye markings that birds respond to as though
they were the eyes of a dangerous predator.
Cognitive theories of perception assume there is a poverty of stimulus.
This (with reference to perception) is the claim that sensations are,
by themselves, unable to provide a unique description of the world. Sensations
require 'enriching', which is the role of the mental model. A different
type of theory is the perceptual ecology approach of James J. Gibson.
Gibson rejected the assumption of a poverty of stimulus by rejecting the
notion that perception is based in sensations. Instead, he investigated
what information is actually presented to the perceptual systems. He (and
the psychologists who work within this paradigm) detailed how the world
could be specified to a mobile, exploring organism via the lawful projection
of information about the world into energy arrays. Specification is a
1:1 mapping of some aspect of the world into a perceptual array; given
such a mapping, no enrichment is required and perception is direct.
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